Robert Wyatt – 4 Albums

Feb 07

Robert Wyatt – 4 Albums

Robert Wyatt – Comicopera – 2007.

– Act One: Lost in Noise –
1. “Stay Tuned” (Garbarek) – 3:49
2. “Just As You Are” (Benge/Wyatt) – 4:21
3. “You You” (Benge/Wyatt) – 4:22
4. “A.W.O.L.” (Benge/Wyatt) – 2:56
5. “Anachronist” (Wyatt) – 3:28
– Act Two: The Here and the Now –
1. “A Beautiful Peace” (Wyatt/Eno) – 2:27
2. “Be Serious” (Wyatt) – 2:56
3. “On the Town Square” (Wyatt) – 5:26
4. “Mob Rule” (Wyatt) – 2:16
5. “A Beautiful War” (Wyatt/Eno) – 2:40
6. “Out of the Blue” (Benge/Wyatt) – 3:41
– Act Three: Away With the Fairies –
1. “Del Mondo” (Ferreti/Zamboni/Maroccolo/Magnelli/Canali) – 3:29
2. “Cancion de Julieta” (Lorca/Wyatt) – 7:32
3. “Pastafari” (Robinson) – 4:37
4. “Fragment” (Benge/Wyatt) – 1:38
5. “Hasta Siempre Comandante” (Puebla) – 4:37
- Personnel — : – * Robert Wyatt – voice, piano, percussion, trumpet, cornet, old metronome, keyboard, karenotron (voice of Karen Mantler), Enotron (voice of Brian Eno), pocket trumpet, monicatron (voice of Monica Vasconcelos)
* Brian Eno – keyboards, effects
* Seaming To Voice – clarinet
* Annie Whitehead – trombone, baritone horn
* Yaron Stavi – bass violin
* Monica Vasconcelos – voice
* Paul Weller – guitar
* Gilad Atzmon – saxophones, tenor saxophone, clarinet
* Jamie Johnson – bass guitar
* Dave Sinclair – piano
* Phil Manzanera – guitar
* Del Bartle – guitar
* Orphy Robinson – steelpan, vibraphone
* Chucho Merchan – bass violin
* Maurizio Camardi – saxophones
* Alphonso Santimone – piano, keyboards
* Alessandro Fedrigo – bass guitar
* Paolo Vidaich – percussion
* Gianni Bertoncini – drums
– br-320

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Robert Wyatt – Old Rottenhat

Artist…..: Robert Wyatt
Title……: Old Rottenhat
Label……: Domino
vbr_extrem
Track Listing:
01 – Alliance 04:24
02 – US Of Amnesia 05:50
03 – East Timor 02:53
04 – Speechless 03:37
05 – The Age Of Self 02:51
06 – Vandalusia 02:45
07 – The British Road 06:23
08 – Mass Medium 04:44
09 – Gharbzadegi 07:54
10 – P.L.A. 02:31

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Robert Wyatt – Nothing Can Stop Us

Artist…..: Robert Wyatt
Title……: Nothing Can Stop Us
Label……: Domino
vbr extrem
Track Listing:
01 – Born Again Cretin 03:11
02 – At Last I Am Free 04:18
03 – Caimanera 05:23
04 – Grass 02:40
05 – Stalin Wasn’t Stallin’ 03:24
06 – Red Flag 03:10
07 – Strange Fruit 03:38
08 – Arauco 04:35
09 – Trade Union 03:47
10 – Stalingrad 05:49

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Rock Bottom
Studio album by Robert Wyatt
Released July 26, 1974
Recorded Delfina’s Farm, Little Chalfont (basic tracks), February 1974 – The Manor Studio,
Oxfordshire & CBS, London, April-May 1974 (overdubs)
Genre Progressive rock
Canterbury scene
Length 39:31
Label Virgin Records 2017
Producer Nick Mason

Rock Bottom is the second solo album (the first post-Soft Machine) by Robert Wyatt.
Although Rock Bottom is technically Wyatt’s second solo LP, he has stated in
several interviews that he considers its predecessor The End of an Ear as juvenilia
and not part of the recognised “canon” of Wyatt solo records.

Preparations were under way for a third Matching Mole album—likely featuring
earlier versions of several songs that ended up on Rock Bottom such as “Sea Song”
—when, during the course of a raucous party on the night of 1 July 1973, an
inebriated Wyatt fell from a fourth-floor window and was seriously injured,
permanently losing the use of his legs. Forced by the accident to give up playing
drums, Wyatt abandoned the Matching Mole project and instead changed the project
into a solo album, more prominently featuring vocals from Wyatt; his time in
hospital recuperating from the accident was spent refining and completing the songs
which would form the Rock Bottom album. Although the music itself is intense and
often harrowing, and the lyrics to the songs are dense and obviously deeply personal,
Wyatt has denied that the material was a direct result of the accident and the long
period of recuperation. Indeed, much of the album had been written while in Venice
in early 1973 prior to Wyatt’s accident, where his partner and future wife
(the poet Alfreda Benge) was working as an assistant editor on Nicolas Roeg’s
similarly haunting and intense film “Don’t Look Now”.

Enlisting friends and luminaries such as Fred Frith, Ivor Cutler and Pink Floyd’s
Nick Mason (who would end up producing the album), Wyatt recorded most of the album
shortly after his release from hospital. In the summer of 1974, the album was
released to great critical acclaim. Cutler’s performance (reciting a semi-nonsensical
narrative halfway through “Little Red Riding Hood Hit the Road” and intoning the same
poem in a flat baritone voice at the end of “Little Red Robin Hood Hit the Road” to
close the album) was singled out for its brilliance, which resulted in his being
offered a three-album deal with Virgin Records.

Rock Bottom contained six songs, some of which have more traditional song structures
(for instance the opening “Sea Song” or “Alifib”), while others are less defined,
more expressionist pieces displaying a jazz influence (as in “Alife”, or the album’s
centrepiece “Little Red Riding Hood Hit the Road”). Side two starts with a medley of
sorts (“Alifib/Alife”), with Wyatt first singing and then reciting in a disjointed
manner lyrics apparently dedicated to Alfreda Benge, who herself replies with her
own vocal retort at the end of “Alifib”. The LP closer, “Little Red Robin Hood Hit
The Road”, is divided into two parts; the first is a melodic progressive rock song
featuring prominent electric guitars and a chant-like vocal refrain, while the
second part—bearing little resemblance to the first—features only a droning harmonium,
harshly-scraped violin and guest vocalist Ivor Cutler reciting bizarre lyrics in a
monotone voice.

Rock Bottom sold better than expected, and reviews were positive; the record and
its attendant good publicity (including what was to remain his only major live
appearance as a solo artist, at London’s Theatre Royal in September 1974)
established Wyatt as a respected solo artist independent of his history with Soft
Machine. Concurrently, Wyatt also released a non-album single, a straight cover
of the 1960s pop tune “I’m a Believer”, which reached the British Top 30. Aside
from the almost immediate follow-up Ruth Is Stranger Than Richard (of which he
composed very little, concentrating on lyrics and arrangements) Wyatt would not
release another studio album of his own material until 1985′s Old Rottenhat

.
Track listing
SideA
“Sea Song” – 6:31
“A Last Straw” – 5:46
“Little Red Riding Hood Hit the Road” – 7:40
side B
“Alifib” – 6:55
“Alife” – 6:31
“Little Red Robin Hood Hit the Road” – 6:08
Personnel
Robert Wyatt – Vocals, Keyboards, Percussion, Slide Guitar (2)
Mike Oldfield – Guitar (6)
Gary Windo – Bass Clarinet & Tenor Sax (4 & 5)
Ivor Cutler – Voice (3 & 6), Baritone Concertina (6)
Mongezi Feza – Trumpets (3)
Fred Frith – Viola (6)
Hugh Hopper – Bass (2, 4 & 5)
Richard Sinclair – Bass (1, 3 & 6)
Laurie Allan – Drums (2 & 6)
Album Cover
The artwork for the cover of the album, both the delicate drawing for the 1974 original
and the colourful painting for the 1998 re-issue, were by Alfreda Benge.

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